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| All
of Texas is divided into three parts. One of which, the neo-modern urbanizations,
where the glass, concrete and steel agoras offer a majority the communion we have
grown accustomed to, the one most of us are familiar with. Another, the grassy,
hoary rural communities, where cars wave to each other on passing regardless of
familiarity, where pre-dawn farm reports, feed stores and fishing are still a
daily routine, are known to most of us either from childhood, stories or occasional
Sunday drives. And finally, of course, those areas of the state which find themselves
awkwardly straddling the aged fence between these two realities; those towns where
the polis is attempting to envelope the pastoral with its shining new tendrils,
promising fortune and prosperity in return for submission. Progress, as it is
termed now, has motored into so many of our smaller communities that it is sometimes
difficult to recognize the towns of our parents or grandparents, harder still
to recall the images as they were- at times only the memory of details defines
fact from obscurity. |
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Such is the case with the hill country town of Bandera.
Founded sometime around 1853, the town (self-described as the “Cowboy Capital
of the World”) has been home to several dance-halls and dude ranches through the
years for service men and women from San
Antonio as well as tree starved city dwellers from all over the country. However,
while the population is still advertised at a meager 972, the beauty of the area
attracts thousands of tourists and “winter Texans” every year. The appeal of the
region seems only to increase as time moves forward. It seems strangely natural
that urban growth is matched, exponentially, by an increase in desire for what
it has replaced. Many towns throughout the country, once rural enclaves, are changing
to accommodate an ever swelling population. Bandera is a community that illustrates
this juxtaposition perfectly, although the town teems annually with a transient
populace. The town does keep one large boot solidly planted in its agrarian past
but, the other is loping forward with enough enthusiasm to drag both into relative
modernity. On
an unusually warm January morning, my wife and I left Austin
and drove southwest. We were to meet my father, a semi-retired doctor of optometry
who spent his adolescent years in Bandera
after leaving Houston when he was twelve
years old. He was to be our expert on things “Hill
Country”. Although my father only lived in the community for eight years,
he still recalls that time with ardent affection and continues to refer to the
area as his home. In fact, when he chose to sell his office and the need for population
was no longer too important a consideration, it was into Boerne,
just 45 minutes from Bandera
that he and his wife settled.
Driving west along highway 46, my wife commented on the beauty of the real
hill country. Austin, our home,
being just the edge of this unique geology, affords us only a tantalizing, tangent
view of the best scenery this side of Big Bend. The views are magnificent and
clearly, this expanse is one of the reasons why so many Texans are so endeared
with their state. Ever since I can remember, my father has frequently
commented on the way the hill
country has changed. When I was a teenager though, I thought these constant
comments were the standard opining of the middle-aged. During the few times that
we visited the region then, I could never quite make out what, if anything, had
changed from any previous time. The relatives always had the same unhurried manner,
the deer were always in the road or lurking just off it and we always had to allow
for the fact that water wasn’t a seemingly inexhaustible resource but rather,
a very finite commodity that was literally bubbling up from a well just outside.
For an adolescent living in the Dallas
metroplex, any environment that did not have restaurants and gas stations every
few yards was considered “the country”. An unpaved road was an anomaly. Opinions,
of course, like landscapes, are subject to change with time. |
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| We,
that is, my wife, dad, stepmother and myself, entered Bandera
on a Sunday afternoon from highway 16, a rolling, meandering two-lane road that
has obviously been broadened to accommodate the increase in traffic. In fact,
the construction is still underway. Even the tiny community of Pipe Creek, a few
miles outside of Bandera,
was busy with road and sewage construction when we drove through it. (“There used
to be nothing out here. Nothing!” my step-mother was drawn to say as we drove
past.) The main street in Bandera
itself was littered with the highway department’s orange and white hurdles. However,
my father, without a word regarding where he was taking us, rolled straight through
the heart of town and headed farther west over a poetry inspiring fork of the
Medina river and up a high, steep hill to the ruins of the Silver Spur Dance Hall.
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Ruins
of the Silver Spur Dance Hall. Photo courtesy Byron
Browne, December 2007 |
| Several
years ago, while on a scholarship in Greece, an archaeologist told the group I
was in an old adage concerning archaeological sites-“If you raise a couple of
columns, the tourists will come!” Obviously, the maxim holds true in Texas also.
The shell of the old dance hall, a cypress enveloped temple, still rests on a
hill overlooking some of the most gorgeous scenery anywhere in the state. In fact,
the ruin stands, sentinel like, keeping watch over the whole of the town below.
The building itself, roofless now, its white, stone walls tenaciously weathering
the years, is an architectural wonder. I was immediately aware of why my father
had wanted us to see this. It resembles a Vanderbilt mansion more than a dance
hall and must have been exceedingly impressive when fully functioning. Not far
removed though are a few rental cottages. While I’m sure that a stay in one of
these would be a great experience, I was struck with the same uneasy feeling as
when I heard of a rock band playing inside the Roman Coloseum-wouldn’t the traffic
and vibration somehow damage the site? ( I understand that comparing the Coloseum
with the Silver Spur Dance Hall is quite a stretch, even laughable, however, each
culture creates its own antiquities and we are all responsible for the curation
our own histories.) Nevertheless, the cottage’s website states that, at least,
there is no smoking. Oh, and you can have your Yoga class there if you give enough
notice of the intent.
As we left and went back down the road, my father told us how, as a young man,
he had so often, “made this trip drunk, sober and even backed down it one night.”
I asked him what condition he had been in while descending the hill backwards.
He replied, “Frightened!”
Back in town, we decided that we needed lunch and my father, although no one in
the car was or is disabled, pulled in to the first handicapped parking space that
he could find. (It was the sole spot available on the main street for several
blocks.) At first, I was shocked by his temerity and disregard of law-after a
moment I realized his motivation. We were in Bandera
on a Sunday afternoon, a day of the week when hundreds of other folks from all
over central Texas had had the same idea. We were surrounded by dozens of shiny
new trucks, expansive SUVs and belching Harley Davidsons, all of which seemed
to be in search of that famous Texan hospitality rather than offering any of it
up themselves. I assumed my father was behaving in accordance with the circumstance
and, while not physically handicapped, I further assumed that he considered walking
to lunch from blocks away disabling enough to justify his decision. In any event,
we parked and began to push our way through the crowded, narrow sidewalks of the
old town. Initially, we tried to enter the OST, or Old Spanish Trail restaurant
(established 1921) but, customers were already leaking out onto the sidewalk at
a little after noon. We eventually found a BBQ spot down the sidewalk and very
nearly enjoyed a Styrofoam-plated lunch of ribs, ham and chopped beef. Where this
restaurant had been only half full when we entered, when we left, there was not
an open table. Several people were standing, drinks in hand, sending smaller family
members out into the dining room for reconnaissance work. We had to squeeze through
a small throng just to exit. |
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My father
suggested that I get a picture of the
courthouse because, quite obviously, as they are in most smaller Texas
towns, the courthouse
is the focal point of the downtown community. While the structure seems to have
been remodeled recently, the general architecture is that of most of those from
the same time period, a multi-storied nineteenth century Norman Bates’ home looking
structure but much better maintained and without the dark dreariness and resident
insanity. (although I’m sure some would dispute the insanity statement. Isn’t
the Bandera
courthouse where Nicole Richie and Paris Hilton “worked” during one week of
their old television show?) In order to get a decent picture though, I needed
to cross the street since we parked, legally this time, directly in front of the
building. So, while the remainder of the party stayed in the car, I tried as best
I could to hurry across and get the shot. The traffic that afternoon was so constant
you would have thought funeral processions were passing from either direction.
I’ve waited shorter periods of time for pizza to be delivered. Honestly, I think
I was just feeling ridiculous; standing on the curb, camera in hand, family peering
at me, waiting from behind tinted glass while I stood, and stood, and stood. Eventually,
I did get across but, the whole time I was wondering how long it might take to
get back. Afterwards, we drove to the Bandera Middle School, that was
the high school when my father lived there. The original building has been incorporated
into the existing school, an asset to the entire complex as far as my father is
concerned. Now, of course, the original building is surrounded by many more modern
structures and has the requisite, adjoining athletic fields and parking lots.
My father noted how the earlier building, with its functioning furnace, housed
all the grades back in the forties and fifties. Pointing to the furnace’s smoke
stack he related how, during the winter months, the first student in to school
was responsible for lighting the day’s fire-a chore many kids were more than willing
to accept. “First one in in the mornings lit the fire in the furnace”, he started
then added, “’Course, being first also meant you got to sit by the fire! It also
meant you had a seat for the day.” As a school teacher myself, I imagined the
relish some kids would take today given such an opportunity. (On the other hand,
there would also be the ever-present opportunity for the old, “I lost my homework
in the fire!” excuse.) That afternoon we visited many areas that my father
wanted to show us to illustrate both his own and the town’s past history. We took
a quick tour of the Mayan Dude Ranch, a 340 acre ranch with individual rock cottages
as well as regular rooms for rent, and noticed that the place was without a vacancy.
The Mayan’s website states that, ”There is a ‘rootin’-tootin’ cowboy somewhere
inside all of us,” and dozens of folks were there riding horses trying to jostle
that spirit to consciousness. |
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Mayan
Ranch horses Photo courtesy Byron
Browne, December 2007 |
We drove
north on highway 173 to Camp
Verde of camel fame.
The “General Store” of the old army base is all that remains today. The buildings
comprising the actual base, a mile from the store and decommissioned by the army
in 1869, were destroyed by a fire in 1910, several years after all the camels
had been sold to a circus. However, the most telling and indeed, most emotional
aspect of the trip, for myself at least, was still in Bandera
itself and just down the main street from the historical area. In the
late 1970’s my father took me dove hunting just outside of Kerrville.
We stayed with a cousin of his and his family (most of whom still live in the
area). Along the way we passed, quite deliberately, through Bandera-my
first visit to the town. The impression that has stayed with me the most all these
years is my father’s expression as he showed me the one room home he, his sister
and mother lived in when they had first moved to Bandera
from Houston. I remember that the house
was in a small cul-de-sac of sorts off the main road, part of a ‘trailer court’.
There were, perhaps, half a dozen of these dun colored homes. All had the dull,
homogenous appearance of federal housing. My dad stopped the car to look again
at his old home and for a moment I lost him to his thoughts. Often this sort of
recollection is cleansing, even enjoyable. However, the expression my father held
for a minute after returning to me and the present was pained. He has always maintained
that his years in Bandera
were some of the best of his life, especially after spending his early childhood
on the too frequently violent and dramatic streets of Houston.
It is also possible that remembrances possess an innate degree of melancholy and
that this was what I had witnessed-given my own age at the time, I may have been
too young to distinguish grief from resignation, having had no real experience
with the former, no real cause for the latter. On the other hand, today the matter
is of little consequence; my father has his memories safely stored away and the
trailer court is now a Sonic restaurant. |
| My
wife and I returned to Austin after
a long but interesting day. All the drive back was filled with talk of what we
had just experienced and soon we were asking each other questions that could only
be answered by a return trip. While we had seen the majority of the town (not
a difficult accomplishment with a town under 1000 people) we felt we needed to
walk the place a little more in order to get a better feel for it. Also, I was
anxious to see the town’s personality during a weekday when other visitors were
returned to their normal routines. Two days after our initial visit
we retraced our drive, arriving around the same time of day as before-lunchtime.
I had expected
that a farm community, even a popular vacation spot, would be settled into its
normal schedule during the work week, i.e. the fields on the area’s periphery
would be hosting their few workers, the stores thinly populated by housewives
and the retired, cars and trucks resting idly on the side streets waiting for
someone to drive them home after the day’s work. As my son and wife could tell
you, I’m frequently wrong and, at least, on that day, I stayed true to form. As
we drove back into town, we noticed that the streets held the same amount of traffic
as the weekend had. The sidewalks were still supporting the weight of both locals
and many visitors. Parking spaces on the main road were still scarce. Luckily,
we found a parking spot in front of the bank. The one item that I immediately
noticed as different from the previous day was that a few of the businesses that
had been open on Sunday were now, incredulously, closed. |
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Silver
Dollar door Photo courtesy Byron
Browne, December 2007 |
One
spot that had been open during our first visit and one which we had not ventured
into at that time was the Silver Dollar Saloon. The sign out front read open just
as it had on the previous Sunday; it became our first stop. Maybe I shouldn’t
mention that I am always drawn to such places. The neon signs (lit no matter what
the time of day), the oversized, paint peeling, wooden door, coupled with the
relative, physical obscurity usually gives the place just enough mystery to pull
me in. (the Silver Dollar is located on the main street in Bandera.
However, the front door-yes, there’s a back door-is hiding out in the open, sandwiched
between two larger businesses. The entrance appears to be some sort of storage
space for one of the other two stores; the sign out front, very possibly a relic.)
The Broken Spoke in Austin and the Longhorn
Ballroom in Dallas, hold the same sort
of appeal for me. And, just as with these other saloons, the Silver Dollar is
extraordinary on account of both its age and earned fame. The Silver
Dollar Saloon is subterranean. In retrospect, it should be. The staircase, just
a few feet inside the door, leads to an earlier time- each step a few years. The
sawdust on the floor in front of the band’s stage is the consistency of the sort
one would pull together from under a workhorse, not the bottled powder that many
honkytonks use simultaneously for the floor and shuffleboard lane. The tables
here are “family-style” (I like “neighbor maker”), the long banquet type with
12-15 chairs at each. Like it or not, on a Saturday night, you’re sitting next
to several people you didn’t ride in with. As we entered the bar, I
noticed the place was deserted except for a smaller table in the back, in front
of the fireplace. Like the sign, the fireplace was lit and the five men sitting
in front of it made frequent comments on how nice it felt and how cold it was
outside (the temperature was in the 40s). There was something about the fire that
put both my wife and me at ease immediately and although the young woman tending
bar was a little bewildered by our order of just water and a diet coke (I think
I redeemed myself a while later asking for cigarette change), all those in the
bar quickly had the same effect on us as the fire. We settled onto our bar stools
and were soon disregarded regulars. We took pictures of the bar’s interior
while half listening to a conversation regarding Spanish grammar (“it’s amigo
if it’s a guy, amiga if it’s a girl.” “You sure?” “Yep. Positive.” “And
it means friend?” “Uh-huh.”) which my wife, a native Spanish speaker and teacher
of the same, found particularly charming. When we began to leave, after about
half an hour, everyone wished us good luck and the sincerity in their voices was
clear and genuine. We walked to the Bandera Visitor Center next and
found more pamphlets and information on the area than we could ever use. Taking
the literature across the street, we found a table at the OST restaurant and ordered
lunch. The meal was better than the one Sunday had been but, I was disappointed
that they did not serve biscuits after 11:00 a.m. Noticing
that we were close to “The second-oldest Polish catholic church in Texas”, we
paid for our lunch at the register and began our westward walk. A cloudy, cool,
windless afternoon made the walk of a few blocks even more enjoyable than it might
have been otherwise. |
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| St.
Stanislaus Catholic Church, built in 1876, is not too large a building, by church
standards, however, the entire complex does take up an entire block. Much of the
vicinity is taken up by the catholic cemetery- an historical site by itself. Also
on site, now a part of the church’s school, is the convent for the few sisters
who helped administer the catholic community. I couldn’t help but imagine the
inherent problems these immigrants must have faced. Nevertheless, there certainly
must have been some fraternal reciprocity with all the neighboring German communities.
Still, I have always been awed by the courage these people illustrated by making
such a bold migration to a region so foreign, relatively distant even from other
immigrant populations. The pamphlets we read stated that the Polish community
was, initially, involved in the production of roof shingles made from the ubiquitous
cypress trees- a trade that my father had told me was one of the main reasons
for Bandera’s
founding, another, the fact that the town was the beginning point for northward
cattle drives in the 19th and early 20th centuries. I was reassured that, at least,
these Polish immigrants had had a common gathering spot. |
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| We
wandered the church grounds for several minutes, found the front door open, as
it should be, and took a seat inside. The nave was empty but, still brightly lit.
It smelled of burning candles. The interior is expansive, has pale-colored walls
highlighted by reds and natural brown. The ceiling accents the rest of the interior
with a pale blue hue- the heavens, of course, opened for the congregation. The
walls are decorated not only with the omnipresent ‘Stations of the Cross’ but
also hold many paintings, depicting various biblical and saint’s stories. Several
of these paintings are created directly onto the walls, like frescoes, and reminded
me of the Greek Orthodox churches I saw a few years ago. Walking back
to the town’s center was a delight. Not only was the weather still perfect but
people had begun arriving home and waved to us as we passed their houses. My wife
was pleased to see a number of roosters and chickens bouncing through some yards;
she had raised a few as a child in Puerto Rico.
Our
final stop that day was to ‘Polly’s Chapel’. This small sanctuary was built, by
hand, by José Policarpo Rodriguez, a Mexican immigrant turned army scout turned
Methodist preacher who determined, in 1882, that the town of Polly, Texas, then
around 300 people, needed this church. Located off highway 16 about six miles
east of town we had to double back since I missed the turn the first time. The
road to the chapel is called “Privilege Creek” and runs off of a street named
‘Bear Creek Road’ according to the Bandera county map we acquired from the visitor’s
bureau. If you come in from the east you will see a large white marker indicating
the road and chapel. If you, like us, are leaving town, all you can make out is
the blank, back of the sign. (That’s my excuse.)
If you’re making the journey (it should be described as nothing short of that)
just remember that you are probably going the right direction and keep following
the small, hand-made signs for a few miles. The one lane paved road crosses a
couple of draws before it becomes dirt and rock and stays this way until you reach
the church. As with so many Texas destinations, the chapel really is “just around
the bend.” |
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Polly’s Chapel is
such a unique spot that I’ll resist trying to describe it. I could never do it
justice. The chapel is open most days and in fact, there is a flyer in doors describing
who to call for events there. Like the town of Bandera,
this little church in the woods is best described by each individual who visits.
However, it is a blessing that it has been allowed to stand for these past 120
years but, that is the spirit of this community. There are not too many locations
where, as you eat a chicken fried steak, you can see a thirty year old pick-up
truck pulling a load of hay, followed by a small fleet of motorcycles followed
by a new Hummer. There are many residents of Bandera
who bite their lips while enduring the four raucous motorcycle rallies each year.
A few others will roll their eyes as the “winter Texans” roll their RVs into town
every October. Nevertheless, this community welcomes them all and is eager to
offer their evidence of historical Texas. As well they should-they not only have
the past in hand but, they are preserving it as well as anyone could. ©
Byron
Browne
January 31, 2008 | |
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